In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities.
Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain.
1 有用 椰壳 2021-07-13 05:08:49
第四章群雄争霸还挺好看的
0 有用 电胆马 2023-08-07 17:06:54 宁夏
7 Online Video as an Emerging Network of Cultural Production The marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market pr... 7 Online Video as an Emerging Network of Cultural Production The marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. (展开)
0 有用 乂 2023-07-01 00:22:15 英国
无论多全面的研究,都无法涵盖洪荒时代的互联网那些狠活。有些能拿得上台面的,就被拿上来研究或者怀念,然后说些“那个时代真好”之类的话。
0 有用 came1 2021-06-16 09:36:52
原来Kindle留了一扇后门
0 有用 想本雅明迟了迟 2021-08-04 00:12:45
solid research! 但所謂 zoning 似乎還是停留在狀態描述。
0 有用 寻找范特西 2024-05-12 21:19:56 上海
博士论文核心文献!真是非常非常扎实的一本中国网络视频产业研究著作!美中不足的点在于,伴随着中国媒体融合顶层设计架构的深入推进,包括网剧在内的网络视频产业已经开启了强监管的状态,“网上网下同心圆”、“网标落地”等一系列政策导致台网融合也步入了深水区阶段,作者所谓的Zonging China论断站在历史演化的视角非常有价值,但是放在5年后的今天稍微有些立不住了。但是瑕不掩瑜!主要从政策视角切入,所以这... 博士论文核心文献!真是非常非常扎实的一本中国网络视频产业研究著作!美中不足的点在于,伴随着中国媒体融合顶层设计架构的深入推进,包括网剧在内的网络视频产业已经开启了强监管的状态,“网上网下同心圆”、“网标落地”等一系列政策导致台网融合也步入了深水区阶段,作者所谓的Zonging China论断站在历史演化的视角非常有价值,但是放在5年后的今天稍微有些立不住了。但是瑕不掩瑜!主要从政策视角切入,所以这么久国内都不引入翻译,出版社肯定都是有考量的。 (展开)
0 有用 电胆马 2023-08-07 17:06:54 宁夏
7 Online Video as an Emerging Network of Cultural Production The marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market pr... 7 Online Video as an Emerging Network of Cultural Production The marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. (展开)
0 有用 乂 2023-07-01 00:22:15 英国
无论多全面的研究,都无法涵盖洪荒时代的互联网那些狠活。有些能拿得上台面的,就被拿上来研究或者怀念,然后说些“那个时代真好”之类的话。
0 有用 想本雅明迟了迟 2021-08-04 00:12:45
solid research! 但所謂 zoning 似乎還是停留在狀態描述。
1 有用 椰壳 2021-07-13 05:08:49
第四章群雄争霸还挺好看的