出版社: MIT Press
副标题: A deconstruction of the Western passion narrative
译者: Adrian Nathan West
出版年: 2019-10
页数: 144
定价: $14.95
装帧: Hardcover
ISBN: 9780262537506
内容简介 · · · · · ·
In Good Entertainment, Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Entertainment today, in all its totalizing variety, has an apparently infinite capacity for incorporation: infotainment, edutainment, servotainment, confrontainment. Entertainment is held up as a new paradigm, even a new credo for being—and yet,...
In Good Entertainment, Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Entertainment today, in all its totalizing variety, has an apparently infinite capacity for incorporation: infotainment, edutainment, servotainment, confrontainment. Entertainment is held up as a new paradigm, even a new credo for being—and yet, in the West, it has had inescapably negative connotations. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
The history of the West, Han tells us, is a passion narrative, and passion appears as a killjoy. Achievement is the new formula for passion, and play is subordinated to production, gamified. And yet, he argues, at their core, passion and entertainment are not entirely different. The pure meaninglessness of entertainment is adjacent to the pure meaning of passion. The fool's smile resembles the pain-racked visage of Homo doloris. In Good Entertainment, Han explores this paradox.
Good Entertainment的创作者
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韩炳哲 作者
作者简介 · · · · · ·
Byung-Chul Han, born in Seoul, is Professor of Philosophy and Cultural Studies at the Universität der Künste Berlin (UdK). One of the most widely read philosophers in Europe, he is the author of more than twenty books, including including four previous volumes in the MIT Press Untimely Meditations series, In the Swarm: Digital Prospects, The Agony of Eros, Shanzhai: Deconstruct...
Byung-Chul Han, born in Seoul, is Professor of Philosophy and Cultural Studies at the Universität der Künste Berlin (UdK). One of the most widely read philosophers in Europe, he is the author of more than twenty books, including including four previous volumes in the MIT Press Untimely Meditations series, In the Swarm: Digital Prospects, The Agony of Eros, Shanzhai: Deconstruction in Chinese, and Topology of Violence.
Good Entertainment的书评 · · · · · · ( 全部 20 条 )
娱乐之为:不在娱乐中爆发,就在娱乐中灭亡
当海德格尔体验过VR和AR,他会作何感想?
受难与娱乐,and道德、健康等因素
见猎心喜——《娱乐何为》阅读笔记
这篇书评可能有关键情节透露
摘录: 艺术: 丰余是一切美的前提——尼采 艺术以脱离基本需求为前提。 尼采认为,文化起源于“与自然界的果断偏离”……这是一个提炼与浓缩的过程,是从自然花朵中提炼香水的独特过程。 灵魂只有在丰余中才会盛放。艺术不会源自“面包”和“水”,不论者水有多么“甘甜”。艺... (展开)不是“娱乐至死”,而是“娱乐之死”
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0 有用 Ιάννης Ξενάκης 2024-05-08 23:29:19 广东
韩炳哲懂忌魃
0 有用 Ιάννης Ξενάκης 2024-05-08 23:29:19 广东
韩炳哲懂忌魃