出版社: Phaidon Press
副标题: As Little Design as Possible
出版年: 2011-6-15
页数: 400
定价: USD 90.00
装帧: Hardcover
ISBN: 9780714849188
内容简介 · · · · · ·
Product Description
Indifference towards people and the reality in which they live is actually the one and only cardinal sin in design' - Dieter Rams. Dieter Rams' life and work are indelibly linked to his thoughts about how people live, and how they can live better. Products he designed in the 1960s are still being produced and sold today - only one demonstration of the streng...
Product Description
Indifference towards people and the reality in which they live is actually the one and only cardinal sin in design' - Dieter Rams. Dieter Rams' life and work are indelibly linked to his thoughts about how people live, and how they can live better. Products he designed in the 1960s are still being produced and sold today - only one demonstration of the strength of his work.
This comprehensive monograph covers both Rams' life and his work, as well as his ideas on good design, which continue to inspire designers and consumers today. A personal foreword by Jonathan Ive evokes the influence that Rams has had on his own work and, by extention, the objects with which so many of us share our everyday lives. An introduction and an essay by Klaus Kemp tell the story of Rams' early life, his training as an architect, and the intellectual context in which his ideas were developed. The next four chapters examine Rams' work and his life - which are more or less synonymous - in depth. This includes his role at Braun as well as the work he did for the furniture company Vitsoe. Each chapter includes sketches, prototypes, finished products and the marketing for those products, giving a complete picture of Rams' work and its context. Two other chapters in this section present Rams' own house, the only work of architecture that he completed, and examine the products he designed at the level of detail, a crucial aspect to his work. A further chapter examines Rams' 'ten commandments' of good design and his credo, 'less but better', in the context of his role as head of design at Braun, and a final chapter explores his legacy in the work of contemporary designers including Naoto Fukasawa, Jonathan Ive, Sam Hecht, and Konstantin Grcic.
This beautifully designed book includes a wide variety of visual material, including sketches and technical drawings, photographs of Rams' work as well as his life, archival material from both Braun and Vitsoe, Ingeborg Rams' subtle photographs and Vitsoe's playful graphic design and advertising. This book will appeal not only to fans of Dieter Rams' work, but to everyone drawn to the message behind his 'ten commandments' of good design - which are really ideas about how we can all live better and more sustainable lives.
作者简介 · · · · · ·
About the Author
Dieter Rams was born in Wiesbaden, Germany in 1932. In 1955 he began work at Braun, a company at which he became head of design in 1961, and at which he stayed until 1995. While there, he produced and oversaw some of the seminal products of the twentieth century, including radios, shavers and kitchen appliances. At the same time, he designed furniture for a sma...
About the Author
Dieter Rams was born in Wiesbaden, Germany in 1932. In 1955 he began work at Braun, a company at which he became head of design in 1961, and at which he stayed until 1995. While there, he produced and oversaw some of the seminal products of the twentieth century, including radios, shavers and kitchen appliances. At the same time, he designed furniture for a small company, Vitsoe + Zapf (later Vitsoe), which is still in production today. In addition to his work as a designer and design manager, he is well known as a lecturer and for his 'ten commandments' of good design, which advocate innovative, useful and durable products.
Sophie Lovell was born in London. After graduating from Chelsea College of Art & Design, she moved to Berlin in 1994. She is an artist, designer, writer, art director, consultant and has been a long-term contributing editor and the German editor of Wallpaper* magazine. She is the author of several books including Limited Edition: Prototypes, One-Offs and Design Art Furniture, This Gun Is for Hire and Furnish - Furniture and Interior Design for the 21st Century.
Dr. Klaus Kemp is the Head of Exhibtions at the Frankfurt Museum of Applied Arts. He was previously head of the culture department of the city of Frankfurt, and of the municipal galleries located in the former Karmeliterkloster (Karemliter Monastery) and the Leinwandhaus. Since 1998, he has been an associate lecturer in design history and theory and public design in Nurnberg, Wiesbaden and Wurzburg and since 2008, honorary professor at Rhein Main University of Applied Science in Wiesbaden. He has published numerous articles in the fields of architecture, design and fine arts.
Jonathan Ive is senior vice-president of design at Apple Inc. He is responsible for the design of some of the most iconic and well-used objects of the late twentieth century, including the iMac, iBook, Powerbook, iPod, and the iPhone.
目录 · · · · · ·
Foreword Jonathan Ive
Who is Dieter Rams?
Braun
The Kronberg House
Vitsœ
Designing Detail
Less But Better
Dieter Ram's Legacy
Dieter Rams in Context
Index
Timeline
· · · · · · (收起)
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- Less and More 9.2
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- Keep It Simple 9.2
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- Super Normal 8.9
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- Naoto Fukasawa 9.3
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- Hella Jongerius 9.0
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- Design Noir 9.1
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Dieter Rams的书评 · · · · · · ( 全部 15 条 )
为何读迪特·拉姆斯?
既写拉姆斯,又论工业设计
这篇书评可能有关键情节透露
个人的略读摘抄: 影响最深刻的主要有设计十诫与less but better,但在本书里,还发现了这样的十五个关于以用户为中心的问题: 1首要的问题并不是问自己是否应该设计此物,而是要问应当如何设计它。 2我们没计的产品是否真的不可或缺?是否已有经过测试与试用的、人们已经习惯... (展开)《为存在而设计》:迪特·拉姆斯的设计之道
我只想说,后浪出版社很会刷豆瓣评论
这篇书评可能有关键情节透露
1.我个人买书,是希望从书籍中获取有用知识的; 2.这本“为存在而设计”,没有讲述拉姆特的任何设计理念,纯粹就是流水账的叙事和图片; 3.详细看了一下后浪出版社选编的这些书,就是通过当下的“营销噱头手段”,以及精美封装,然后卖高价! 4.我个人买书,最重要的就是希望这... (展开)为存在而设计——很实在的拉姆斯
这篇书评可能有关键情节透露
书很重,图很多,质量很好。 迪特拉姆斯是一块碑,时代成就了拉姆斯,拉姆斯拉开了好设计后的时代序幕。 迪特拉姆斯是好的设计师,受雇于欣赏他的企业主,成就于好的设计团队与企业组织中。固然,与同志奋进前行,组织的领导者影响力会更盛。 拉姆斯是一位布道者,将自我的伦理... (展开)> 更多书评 15篇
论坛 · · · · · ·
| 这本书有中文引进么? | 来自我的鸡八岁了 | 2 回应 | 2023-05-08 17:47:07 |
| 求告知,如何搞到这样的书? | 来自逗伴 | 2021-04-26 09:05:02 | |
| 发现 | 来自为什么 | 5 回应 | 2012-11-06 22:44:01 |
这本书的其他版本 · · · · · · ( 全部2 )
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湖南美术出版社 (2023)9.1分 97人读过
在哪儿借这本书 · · · · · ·
以下书单推荐 · · · · · · ( 全部 )
谁读这本书? · · · · · ·
二手市场
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订阅关于Dieter Rams的评论:
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0 有用 hu 2011-11-06 18:59:12
高山仰止
0 有用 节奏 2017-01-25 15:57:48
Dieter Rams -> Johnny Ive -> Our generation. 看到606 Shelf System是1960年设计的时候真的是惊到了,好的设计真的是Timeless.
4 有用 元 滚 滚 2014-02-25 19:37:30
看到这本书的标签有个叫“设计要尽量小众”- -没文化真可怕啊。在学院图书馆看的。这学期还是混图书馆!像这么贵的书多看一本就赚一本啊!
1 有用 王三十九 2019-10-05 19:41:26
Dieter Rams 的发展和成长与 Braun 的发展和成长交相辉映、融合交织,互相成就彼此。在那个时代,依靠设计取得了商业上的成功。Rams 对于设计的认识和见解,在数字时代看来依然是核心和关键的。他晚年思考的 responsible design 在现今也有了更加深刻的含义。好设计的原则是永恒的。
1 有用 Hoka 2018-05-14 07:56:44
在工业革命之前,工匠手工制作产品,上层阶级喜欢使用有繁复装饰的物品,繁复装饰既是阶级地位的体现(手工制作成本高),也是艺术性审美的表现。工业革命,工厂开始大规模生产日常生活用品,从此普通民众也可以拥有高质量的日常用具。工业革命刚开始,大众审美沿袭了精英审美,受欢迎的是花哨的设计。包豪斯重新定义了 form 和 function 的关系,也重新定义了设计师。form 是为 function 服务的,... 在工业革命之前,工匠手工制作产品,上层阶级喜欢使用有繁复装饰的物品,繁复装饰既是阶级地位的体现(手工制作成本高),也是艺术性审美的表现。工业革命,工厂开始大规模生产日常生活用品,从此普通民众也可以拥有高质量的日常用具。工业革命刚开始,大众审美沿袭了精英审美,受欢迎的是花哨的设计。包豪斯重新定义了 form 和 function 的关系,也重新定义了设计师。form 是为 function 服务的,而设计师在技术限制下,寻找满足 function 的最优解。这一理念也受到了 technician 的欢迎,因为简单的、几何图形的设计也更容易被实现。 从包豪斯到博朗,再到 Apple,从 Dieter Rams 到 Jony Ive,其实都继承了同样的设计理念。那么信息时代呢? (展开)