20世纪世界建筑史

原文摘录   · · · · · ·  ( 全部 )

• 经由这些天才人物之手，“新艺术运动”远远超越了建筑外表的一次变化或者装饰的一个新体系。在奥尔塔、吉尔马和凡·德·维尔德的代表作中，建筑原来的解剖关系和空间特征被根本性地改变了。它们的形式通常受到功能原则，还有对结构和材料加以表达的理性倾向的严格制约。不仅如此，每位艺术家都尝试以自己的方式去体现社会愿景，并增强自己为之建造的公共机构。 类似评价也可以用于加泰罗尼亚建筑师安东尼·高迪(Antonio Gaudi)。高迪极端的独创性和特异性表明他只是“新艺术运动”理想的一个松散成员。事实上，我们一定不要过分对历史进行抽象加工：建筑学中的一个风格阶段，是共享表现母体、表达方式和思想主题的一种宽阔平台，此中可能浮现大量多种多样的个人风格。 (查看原文)

  慕卿 1赞 2015-07-11 11:03:19

• The Uruguayan architect/engineer Eladio Dieste thought of local technology as basic feature of identity and was committed to the idea that Third World solution 'must leave underdevelopment behind but without copying the processes and techniques of other countries'. ... Dieste perhaps belonged to a tradition stretching back through Torroja to Gaudi, but even in his most utilitarian solutions he had the stamp of a genuine style: something rooted in his reading of contemporary 'agro-industrial' realities, and in a deep understanding of natural forces and pressures. ... There are deep moral/practical reasons for our search which give form to our work: with the form we create we can adjust to the laws of matter with all reverence, forming a dialogue with reality and its mysteries in essential... (查看原文)

  許阿牛 2012-01-05 04:44:55

> 全部原文摘录