"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."
Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma ...
"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."
Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue génération perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed.
Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and cafés and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.
A Moveable Feast is at once an elegy to the remarkable group of expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times and allegedly had multiple...
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times and allegedly had multiple extra-marital relationships over many years' time. For a serious writer, he achieved a rare cult-like popularity during his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. Throughout his life he had four wives. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, following an ill-advised premature release from a mental hospital where he'd been treated for severe depression, he committed suicide at his home in Ketchum, Idaho with a shotgun.
Ernest Hemingway (Arrow Classic)(共13册)，
这套丛书还有
《To Have and Have Not》《For Whom the Bell Tolls》《Winner Take Nothing》《The Snows of Kilimanjaro》《Fiesta》
等
。
"There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other...Paris was always worth it and you received return for whatever you brought to it...."There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other...Paris was always worth it and you received return for whatever you brought to it." The sentences are muttered without stop it's as if I can see him doodling these words out with one long stroke. Mesmerising.(展开)
如果我没记错的话，在《流动的盛宴》中海明威没有写自己去过巴黎圣母院。唯一的一次写去卢浮宫，是拉着菲茨杰拉德去比那活儿的尺寸。要说刻薄，这本书堪称“刻薄之书”，海明威嘲讽有恩于他的斯坦因，extraordinarily mean and cruel to Fitzgerald。不过海明威不光刻薄也NB, ...
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![[美国] 欧内斯特·海明威](https://img9.doubanio.com/view/personage/m/public/8a1a9b30579a75b1009a3fdd41fcbd55.jpg)
欧内斯特·海明威 作者
七星海棠
上海译文出版社2009版
rivert
上海译文出版社2009版
于是
上海译文出版社2009版
张佳玮
浙江文艺出版社1985版
eighterhana
杜瑟
#《流动的盛宴》里提到了哪些地标性的巴黎文化符号？
上海译文出版社2009版
8 有用 林花仔 2013-09-16 05:15:10
对一个城市的回忆和爱大抵就是这些生活琐事和人际交往构成的了。
4 有用 花岛仙藏 2016-05-01 22:54:12
"There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other...Paris was always worth it and you received return for whatever you brought to it.... "There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other...Paris was always worth it and you received return for whatever you brought to it." The sentences are muttered without stop it's as if I can see him doodling these words out with one long stroke. Mesmerising. (展开)
0 有用 МэрöЯаñг 2015-08-23 11:54:11
写菲茨杰拉德那篇简直太有意思笑死我了简直傲娇啊海明威先生哈哈哈哈
0 有用 sheungyee 2007-07-19 04:14:48
巴黎
1 有用 7_11 2015-08-07 00:50:04
A False Spring、An Agent of Evil和Scott Fitzgerald 三篇比较有意思。大师也曾是贫穷又快乐的年轻人，在下着大雪的深山里期盼着巴黎的春天。只是他俯仰皆是的寻常生活全是后人羡慕不已的黄金时代。