”Marcel Duchamp, one of this century’s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental an...
”Marcel Duchamp, one of this century’s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. ’You don’t mean to do it,’ he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage’a Hilarious Picture.’ Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. ’In the end you lose interest, so I didn’t feel the necessity to finish it.’He declared that he wanted to kill art (’for myself’) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, ’a new thought for that object.’The art community feels Duchamp’s presence and his absence. He has changed the condition of being here.”-- Jasper Johns, from Marcel Duchamp: An Appreciation
Dialogues With Marcel Duchamp (Da Capo Paperback)的创作者
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An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the moti...An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed.(展开)
An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the moti...An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed.(展开)
![[法] 皮埃尔·卡巴纳](https://img1.doubanio.com/cuphead/elessar-static/pics/personage-default-medium.png)
皮埃尔·卡巴纳 作者
vritti
广西师范大学出版社2001版
无聊的头
广西师范大学出版社2001版
姜紫
广西师范大学出版社2001版
自在渍
中国人民大学出版社2003版
邱小石
广西师范大学出版社2001版
platero_y_yo
中国人民大学出版社2003版
0 有用 贝塔 2019-11-26 16:00:15
An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the moti... An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed. (展开)
0 有用 thebluepill 2015-09-29 16:17:48
采访录很短，很喜欢杜尚的脸，准确点是相，言谈有趣
1 有用 想本雅明迟了迟 2016-06-29 00:36:15
在艺术这桩生意中，艺术家本人是最不重要的。杜尚深切了解这一点，因此他把艺术从二维拖拽成三维，而把自己从立体活成透明平面。所以这书没什么可看的，不如多去看几张画。
0 有用 Tev 2022-06-17 00:13:17
杜尚是真寄蜉蝣于天地阿。他完全不受文化、物质的拘束，他不相信艺术的社会性，他警惕一切“判断”，抵制美术馆对判断的垄断和固化，他反对艺术对视觉效果的重视，他对于他自己觉得很不错的艺术家的作品坦言毫无兴趣因为艺术家趋于重复自己的idea-仿佛他们欠这个社会十幅画似的，他不想去日本、印度、中国因为欧洲和美国很够了。他感兴趣个体-作为人的，作为思想的人脑的，能够产生与传统完全割裂的“新”东西的个体；他感兴... 杜尚是真寄蜉蝣于天地阿。他完全不受文化、物质的拘束，他不相信艺术的社会性，他警惕一切“判断”，抵制美术馆对判断的垄断和固化，他反对艺术对视觉效果的重视，他对于他自己觉得很不错的艺术家的作品坦言毫无兴趣因为艺术家趋于重复自己的idea-仿佛他们欠这个社会十幅画似的，他不想去日本、印度、中国因为欧洲和美国很够了。他感兴趣个体-作为人的，作为思想的人脑的，能够产生与传统完全割裂的“新”东西的个体；他感兴趣一呼一吸。 (展开)
0 有用 斯蒂芬小妮 2016-11-27 02:32:24
读来还蛮讽刺的。杜尚自己拒绝融入任何流派，所做readymade泉从某种程度也是为了被拒绝和挑战协会，然而现在却有一堆堆博士论文分析他的某个作品的某个细节属于某种流派，readymade到底还能不能代表彻底改革的方向。
0 有用 Tev 2022-06-17 00:13:17
杜尚是真寄蜉蝣于天地阿。他完全不受文化、物质的拘束，他不相信艺术的社会性，他警惕一切“判断”，抵制美术馆对判断的垄断和固化，他反对艺术对视觉效果的重视，他对于他自己觉得很不错的艺术家的作品坦言毫无兴趣因为艺术家趋于重复自己的idea-仿佛他们欠这个社会十幅画似的，他不想去日本、印度、中国因为欧洲和美国很够了。他感兴趣个体-作为人的，作为思想的人脑的，能够产生与传统完全割裂的“新”东西的个体；他感兴... 杜尚是真寄蜉蝣于天地阿。他完全不受文化、物质的拘束，他不相信艺术的社会性，他警惕一切“判断”，抵制美术馆对判断的垄断和固化，他反对艺术对视觉效果的重视，他对于他自己觉得很不错的艺术家的作品坦言毫无兴趣因为艺术家趋于重复自己的idea-仿佛他们欠这个社会十幅画似的，他不想去日本、印度、中国因为欧洲和美国很够了。他感兴趣个体-作为人的，作为思想的人脑的，能够产生与传统完全割裂的“新”东西的个体；他感兴趣一呼一吸。 (展开)
0 有用 Democho 2022-01-12 14:38:28
印刷好差 不过杜老爷子真可爱！
0 有用 L 2020-08-28 03:00:53
本科学艺术史的时候第一次看到杜尚的喷泉，读到“Mutt先生是否亲手制作喷泉并不重要，重要的是他选择了它。他拿了一件普通的物品，在新的视角和名字下，世俗的作用消失了，新的思想被创造出来”的时候，我关于艺术的粗糙认知完全被颠覆了。访谈录很深入，值得多次细读并对照作品思考。 @2017-10-16 22:03:56
0 有用 贝塔 2019-11-26 16:00:15
An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the moti... An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed. (展开)
0 有用 jiali鱼 2017-06-26 04:26:41
Duchamp真是很特别的一个人。对art的看法，真是独一无二。打破传统和常规，art不仅可以是painting／drawing，也可以是readymade。artist也可以不被名利驱使，做真正想做的，想表达的。