作者:
Trouillot, Michel-Rolph 出版社: Houghton Mifflin 副标题: Power and the Production of History 出版年: 1997-7 页数: 216 定价: USD 20.00 装帧: Paperback ISBN: 9780807043110
Placing the West's failure to acknowledge the most successful slave revolt in history alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.
作者简介
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Michel-Rolph Trouillot (1949–2012) was one of the most prominent Haitian scholars working in the United States. He was the director of the Institute for Global Studies in Culture, Power, and History and Krieger/Eisenhower Distinguished Professor in anthropology at Johns Hopkins University. Hazel V. Carby is the Charles C. and Dorothea S. Dilley Professor of African American Stu...
Michel-Rolph Trouillot (1949–2012) was one of the most prominent Haitian scholars working in the United States. He was the director of the Institute for Global Studies in Culture, Power, and History and Krieger/Eisenhower Distinguished Professor in anthropology at Johns Hopkins University. Hazel V. Carby is the Charles C. and Dorothea S. Dilley Professor of African American Studies, professor of American studies, and director of the Initiative on Race, Gender and Globalization at Yale University.
目录
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Acknowledgements
Preface
Chapter One The Power in the Story
Chapter Two The Three Faces of Sans Souci
Chapter Three An Unthinkable History
Chapter Four Good Day, Columbus
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Acknowledgements
Preface
Chapter One The Power in the Story
Chapter Two The Three Faces of Sans Souci
Chapter Three An Unthinkable History
Chapter Four Good Day, Columbus
Chapter Five The Presence in the Past
Epilogue
Notes
Index
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I wanted them to know that slavery did not happen only in Georgia and Mississippi. I wanted them to learn that the African connection was more complex and tortuous than they had ever imagined, that the U.S. monopoly on both blackness and racism was itself a racist plot. And she had broken the spell on her way to Havard Law. I was a novice and so was she, each of us struggling with the history we chose, each of us also fighting an imposed oblivion. (查看原文)
Historians as Wanderers: Silencing in Historical Narratives What is history? This is a question that has been repetitively discussed by intellectuals and scholars. During the age of the Enlightenment, history was increasingly perceived as a science conducte...
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This examines how history is not only a matter of facts, but also a product of power, interpretation, and representation. Trouillot uses various examples, such as the Haitian Revolution, the Holocaust, the Alamo, and Columbus Day, to show how historical nar...
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I can still tthink that I was almost emotionally collapsed on one tutorial of Ian Holliday's, one of the professors whom I truly respect. I was fully prepared and actively participated in that tutorial talking about humanitarian intervention, and that sess...
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0 有用 长秋 2022-02-05 04:04:20
4.5。理论部分的批判如今已经是习以为常的了，但放在本书出版的1995年是相当有挑战性的。最喜欢Unthinkable revolution那一章。
0 有用 Lucien在昂古莱 2024-03-23 01:54:51 美国
deceptively simplistic. would better appreciate the work it does from the perspective of a writer instead of reader
0 有用 麦基 2021-11-06 04:27:02
导师的导师
0 有用 麻卑仓 2018-12-11 01:45:24
intro、Sans Souci、Disney三部分让我着迷
0 有用 _iaalaf_ 2019-12-05 08:59:36
*寫得略複雜，但想法很有意義
0 有用 Lucien在昂古莱 2024-03-23 01:54:51 美国
deceptively simplistic. would better appreciate the work it does from the perspective of a writer instead of reader
0 有用 回水区六花亭 2024-03-22 23:22:31 北京
（感动地爬行）
0 有用 D 2023-12-14 19:59:34 美国
这么有人能用这么清晰流畅的语言讲
0 有用 张八折 2023-09-14 04:08:36 美国
这写作太牛了
3 有用 Accélération 2023-05-04 21:33:44 重庆
我要打六星😭😭😭 虽然在史学理论层面，已经是老生常谈，但是真的写得好好。 “沉默会在四个关键时刻进入历史生产的过程：事实创造的时刻（史料的创造），事实被汇编的时刻（档案的制作），事实再现的时刻（叙事的形成），以及产生追溯性意义的时刻（最终创造历史）。” 实证主义的弊端自然是明显并臭名昭著的，但是建构主义也存在问题，“尽管它可以用数百个故事来说明它的一般主张，即各种叙事模式都是被生产出来的，但它不能... 我要打六星😭😭😭 虽然在史学理论层面，已经是老生常谈，但是真的写得好好。 “沉默会在四个关键时刻进入历史生产的过程：事实创造的时刻（史料的创造），事实被汇编的时刻（档案的制作），事实再现的时刻（叙事的形成），以及产生追溯性意义的时刻（最终创造历史）。” 实证主义的弊端自然是明显并臭名昭著的，但是建构主义也存在问题，“尽管它可以用数百个故事来说明它的一般主张，即各种叙事模式都是被生产出来的，但它不能充分说明某一个叙事模式是如何被生产的。”那么对发生的事情和对它的叙述的区分是必要的。（尽管是模糊的） (展开)