'I admire the freshness and attack of her writing, the passion and curiosity that light up the page. The book does something very important - it makes you impatient to see or re-read the plays at once' Hilary Mantel
A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else.
Is this Shakespeare? Well, sort of.
But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.
This is Shakespeare. And he needs your attention.
0 有用 hierophant 2021-11-20 19:33:33
a page-turner
0 有用 Danphy 2025-03-16 12:47:01 英国
一直想找一本能够带着我进入莎士比亚剧作的书,这本最好的体现了accessible同时又不失深度见解的标准,而且作者时而引用的莎翁原文的确让我朴素地不带任何分析地直觉式地感受到他对于文字的绝美运用。对于莎士比亚名气的畏惧以及对于自己欣赏不懂感到无聊的愧疚都在作者娓娓道来的阐释下逐渐化解,给了我喘息和学习的空间。莎士比亚的作品不是名篇,而是一个又一个没有答案的问题,读者只有大胆读它才能为它们带来新的活... 一直想找一本能够带着我进入莎士比亚剧作的书,这本最好的体现了accessible同时又不失深度见解的标准,而且作者时而引用的莎翁原文的确让我朴素地不带任何分析地直觉式地感受到他对于文字的绝美运用。对于莎士比亚名气的畏惧以及对于自己欣赏不懂感到无聊的愧疚都在作者娓娓道来的阐释下逐渐化解,给了我喘息和学习的空间。莎士比亚的作品不是名篇,而是一个又一个没有答案的问题,读者只有大胆读它才能为它们带来新的活力。今年夏天的莎士比亚戏剧巡演感觉自己可以更加有参与感地去看了,而不是以一种膜拜的完全封闭的心态了。 (展开)
0 有用 APOS 2021-03-05 22:10:09
用Knopf出版社的点评,两个词:entertaining, sagacious。这本书关注的重点,不是莎士比亚多么多么伟大,写尽众生相,写作手法高超,词汇创造多么丰富bla bla bla,这本书关注的是灰色地带:gappiness,ambiguity,questions(缺口,模糊性,所提的问题)。 对每一本剧,Smith给了一个不同的文本“进入”(approach) 的方法。
0 有用 sofar 2020-06-17 19:02:07
”比尔,来,坐。你我都知道现在票房全靠都ghost撑着。国王换装时间只需要一分钟,to be the victim of nasty brutish 啥啥 or not to be the villain of 啥啥那段真心太长,我都看见观众打哈欠了。要不咱们改改?精炼一点?to be or not to be?” “你tmd喝多了吧?to be 啥?not to be啥?” ”that is t... ”比尔,来,坐。你我都知道现在票房全靠都ghost撑着。国王换装时间只需要一分钟,to be the victim of nasty brutish 啥啥 or not to be the villain of 啥啥那段真心太长,我都看见观众打哈欠了。要不咱们改改?精炼一点?to be or not to be?” “你tmd喝多了吧?to be 啥?not to be啥?” ”that is the question!” (展开)