The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing.
A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? In The Chinese Computer, Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day.
Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe.
An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
7 有用 人间别久不成悲 2024-08-15 10:37:19 新疆
上半年读过最激动人心的作品。从「提笔忘字」入手,引入中文在数字时代(输入法为媒介)的「写法」多样性(读到五笔双拼们感到无比亲切,看看你们的键盘还有多少保留了五笔四角等编码,是不是键盘面比兜还干净)。提出「Hypography」(隐字法)概念,与「Orthography」(正字法)相对,前者强调输入的内容与输入的产物在形义上「毫无关联」,只是「输入法悬停产物」,却在当下的中文互联网成了「常态」甚至「... 上半年读过最激动人心的作品。从「提笔忘字」入手,引入中文在数字时代(输入法为媒介)的「写法」多样性(读到五笔双拼们感到无比亲切,看看你们的键盘还有多少保留了五笔四角等编码,是不是键盘面比兜还干净)。提出「Hypography」(隐字法)概念,与「Orthography」(正字法)相对,前者强调输入的内容与输入的产物在形义上「毫无关联」,只是「输入法悬停产物」,却在当下的中文互联网成了「常态」甚至「主流」(emoji抽象文字也能被照顾到,墨磊宁纯🐶粉丝嗷),这与中国互联网的赛博民族主义形成了有趣的对比。「提笔忘字」可能并不是「另类文盲」,更非「数典忘祖」,只是以另一种中国人不愿接受却大行其道的「书写形式」存在。正文注释各占一半,非常扎实的数字时代汉语言以及科技物质史研究,作者致谢把人看哭了 (展开)
1 有用 Дмитрий 2024-05-20 21:07:36 北京
速刷,之后会重读但今天肯定是没时间了
0 有用 J. 2024-07-08 09:50:18 美国
除了反复讲的hypography,完全可以合并进typewriter里(第一章单纯就是电动打字机……)没必要再出第二本。
0 有用 Xiu 2026-03-23 01:59:06 美国
蛮精彩的,是那种读了之后能产生一大堆有的没的想法的著作。关于弹出式菜单的起源,我觉得明快打字机的候选字设计是不是意义更为深远呢。结论里有许多启发性的端绪,hypermediation的加速作用让我一下想到很多(比如群表示论相对于群、编程语言相比于汇编语言,甚至语法糖或者tidyverse这样的包相对于编程语言本身),关键是解释的任务被外部化了(斯蒂格勒式的带毒性的第三持存);QWERTY键盘和MI... 蛮精彩的,是那种读了之后能产生一大堆有的没的想法的著作。关于弹出式菜单的起源,我觉得明快打字机的候选字设计是不是意义更为深远呢。结论里有许多启发性的端绪,hypermediation的加速作用让我一下想到很多(比如群表示论相对于群、编程语言相比于汇编语言,甚至语法糖或者tidyverse这样的包相对于编程语言本身),关键是解释的任务被外部化了(斯蒂格勒式的带毒性的第三持存);QWERTY键盘和MIDI键盘的类比也当然有趣;最后,我觉得作者终于把汉语IME的预测处理引向了一个Freudian Robot的方向——作者的两本书里,在人类和机器的co-produce中放过了另外一侧,另外一侧同样有趣。 (展开)
0 有用 Navigator 2026-06-08 20:53:14 北京
速览。围绕 hypography 展开。结构、力道和想象力稍逊于前作。