出版社: Harvard University Asia Center
副标题: The Transformation of Chinese Calligraphy in the Seventeenth Century
出版年: 2003-6-30
页数: 368
定价: USD 60.00
装帧: Hardcover
ISBN: 9780674010925
内容简介 · · · · · ·
For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese callig...
For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.
Fu Shan's World的创作者
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白谦慎 作者
作者简介 · · · · · ·
Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.
目录 · · · · · ·
Calligraphy Terms and Chinese Names
Introduction
1. Late Ming Culture and Fu Shan’s Early Life
2. Fu Shan’s Life and Calligraphy in the Early Years of the Manchu Conquest
3. New Intellectual Tendencies and Fu Shan’s Advocacy of Epigraphical Calligraphy
· · · · · · (更多)
Calligraphy Terms and Chinese Names
Introduction
1. Late Ming Culture and Fu Shan’s Early Life
2. Fu Shan’s Life and Calligraphy in the Early Years of the Manchu Conquest
3. New Intellectual Tendencies and Fu Shan’s Advocacy of Epigraphical Calligraphy
4. Calligraphy and the Changing Intellectual Landscape
Epilogue
Notes
Works Cited
Character List
Index
· · · · · · (收起)
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Fu Shan's World的书评 · · · · · · ( 全部 45 条 )
读白谦慎《傅山的世界》
这篇书评可能有关键情节透露
这本书是作者的博士论文,故整体架构十分规矩,第一章和第二章,从晚明到清初这个时段的社会背景出发,写人在社会中的生活;第三章是学术情境,第四章则以傅山本人为中心,写其书法艺术的发展变化。 序言即点出十七世纪开始到十八世纪书法的一个重要变化是帖学到碑学的转变,作... (展开)艺术、政治、学术:文人个案研究的范例
#读书札记#白谦慎《傅山的世界》
白谦慎:《傅山的世界》的写作、出版机缘
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订阅关于Fu Shan's World的评论:
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1 有用 闻朵 2014-11-07 22:31:38
Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitg... Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge (展开)
0 有用 gabriel.weng1 2023-04-22 10:44:46 加拿大
头两章(尤其是晚明部分)写得太精彩了,以至于跟自己研究最相关的第三章显得平平无奇
0 有用 楚餘 2021-02-05 12:28:55
看得出來作者對中文版進行了一定的程度的修補,加強了對細節的考究,英文版倒是保留了西方史學界提綱挈領和潤物無聲的特性,有了更多的整體思考,中英對照倒也是一段有趣的閱讀體驗
0 有用 黄小肚 2018-04-04 06:58:30
first chapter is very smooth
0 有用 gabriel.weng1 2023-04-22 10:44:46 加拿大
头两章(尤其是晚明部分)写得太精彩了,以至于跟自己研究最相关的第三章显得平平无奇
0 有用 楚餘 2021-02-05 12:28:55
看得出來作者對中文版進行了一定的程度的修補,加強了對細節的考究,英文版倒是保留了西方史學界提綱挈領和潤物無聲的特性,有了更多的整體思考,中英對照倒也是一段有趣的閱讀體驗
0 有用 黄小肚 2018-04-04 06:58:30
first chapter is very smooth
1 有用 闻朵 2014-11-07 22:31:38
Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitg... Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge (展开)