作者:
Erich Auerbach 出版社: Princeton University Press 副标题: The Representation of Reality in Western Literature 译者:
Willard R. Trask 出版年: 2003-04-07 页数: 616 定价: USD 26.95 装帧: Paperback ISBN: 9780691113364
A half-century after its translation into English, Erich Auerbach's "Mimesis" still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a sub...
A half-century after its translation into English, Erich Auerbach's "Mimesis" still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There, he wrote "Mimesis", publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how, from antiquity to the twentieth century, literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive - and impassioned - response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.
Erich Auerbach, (born Nov. 9, 1892, Berlin, Ger.—died Oct. 13, 1957, Wallingford, Conn., U.S.), educator and scholar of Romance literatures and languages.
After gaining a doctorate in philology at the University of Greifswald, Germany, in 1921, Auerbach served as librarian for the Prussian State Library. From 1929 until his dismissal by the Nazi Party in 1936, he was ordinarius...
Erich Auerbach, (born Nov. 9, 1892, Berlin, Ger.—died Oct. 13, 1957, Wallingford, Conn., U.S.), educator and scholar of Romance literatures and languages.
After gaining a doctorate in philology at the University of Greifswald, Germany, in 1921, Auerbach served as librarian for the Prussian State Library. From 1929 until his dismissal by the Nazi Party in 1936, he was ordinarius university professor of Romance philology at the University of Marburg. From 1936 to 1947 Auerbach taught at the Turkish State University in Istanbul, where he wrote his magisterial survey of the linguistic means of depicting reality in European literature, Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur (1946; Mimesis: The Representation of Reality in Western Literature). He joined the faculty at Yale University in 1947, becoming Sterling professor of Romance philology in 1956. In 1949–50 he was a member of the Institute for Advanced Study at Princeton, N.J.
Although Auerbach wrote a number of important scholarly studies, including Dante als Dichter der irdischen Welt (1929; Dante, Poet of the Secular World) and Literatursprache und Publikum in der lateinischen Spätantike und im Mittelalter (1958; Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages), his foremost work of literary criticism was Mimesis. This book not only offered philological and historical examinations of individual literary works, from the Hebrew Bible and Homer to Virginia Woolf and Marcel Proust, but also established an influential critical method, offering a history of culture through the close analyses of literary styles.
《摹仿论》出版于1946，作者是埃里希·奥尔巴赫（Erich Auerbach）。原著是德文，1953年出版了英译本，普林斯顿大学2003年的版本，是纪念英译本发行50年的纪念版。该纪念版的前言是爱德华·萨义德写的，给予了《摹仿论》一书相当高的评价：：“Books of criticism have usually...
(展开)
![[德国] 埃里希·奥尔巴赫](https://img9.doubanio.com/img/author/medium/public/YW4sLQB_EHkcel_avatar_uploaded1523933250.16.jpg)
埃里希·奥尔巴赫 作者
安提戈涅
商务印书馆2014版
Felista
商务印书馆2014版
feimo
商务印书馆2014版
红河谷的莲儿
棹雨蓑人
商务印书馆2014版
小川
商务印书馆2014版
0 有用 Nostalgia 2023-07-24 19:31:52 四川
读书会读了近一年。这本书获得多少的盛赞都不为过。还记得知为老师大四的时候推荐，“文本细读”看这一本就够了”如今斯人已逝～
0 有用 maverick 2015-10-04 19:53:40
超神的理论书，把经典文学作品里对现实的描写作了细致的分析，联系写作背景进行解析，把作品、角色、作者、社会都理清了
3 有用 海之子 2013-04-04 18:46:46
如遇知音...完全认同奥尔巴赫的文本分析模式。在接触多了二手研究资料之后，再回头看没有脚注的纯文本细读，是个愉快的经历。诉诸感观和直觉的细读与诉诸理性的文学研究差别挺大的。
0 有用 红河谷的莲儿 2014-12-26 23:23:09
怀旧之书。
1 有用 worlddiver 2012-08-08 10:33:48
開頭第一章大受震撼，之後很多都是不熟悉的文學作品，頗有些難懂。。。然而奧爾巴赫那種對文字，對語法語音，乃至於then這樣的轉折處的細微體察，很有啓發。
0 有用 UnstableOrbits 2023-12-10 04:00:48 法国
Représentation de la réalité和réalité représentée之间的矛盾始终存在。对龚古尔兄弟的批评沁人心脾。
0 有用 茶花 2023-09-28 18:38:00 广东
奥德修斯的伤疤。
0 有用 Nostalgia 2023-07-24 19:31:52 四川
读书会读了近一年。这本书获得多少的盛赞都不为过。还记得知为老师大四的时候推荐，“文本细读”看这一本就够了”如今斯人已逝～
1 有用 . 2023-06-29 11:25:44 北京
快一年，终于看完啦！
1 有用 Yours, Miran 2023-02-01 14:27:27 美国
看短評原來不是我一個人邊看邊哭