In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sou...
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film.
米歇尔·希翁(Michel Chion),法国声音理论家,具体音乐作曲家,电影研究学者,影评人。他是巴黎第三大学电影与视听研究院(IRCAV)的客座教授,同时在欧洲多家机构讲学。作为实践者,他曾加入音乐研究小组,并因其视听作品获得唱片大奖以及洛迦诺城市大奖(Grand Prix de la Ville de Locarno)。希翁出版过关于音乐与电影意象解析的著作十余部,如《声音》《电影:声音的艺术》等,曾获得(批评家协会颁发的)最佳电影图书奖。
米歇尔·希翁(Michel Chion),法国声音理论家,具体音乐作曲家,电影研究学者,影评人。他是巴黎第三大学电影与视听研究院(IRCAV)的客座教授,同时在欧洲多家机构讲学。作为实践者,他曾加入音乐研究小组,并因其视听作品获得唱片大奖以及洛迦诺城市大奖(Grand Prix de la Ville de Locarno)。希翁出版过关于音乐与电影意象解析的著作十余部,如《声音》《电影:声音的艺术》等,曾获得(批评家协会颁发的)最佳电影图书奖。
0 有用 Algiersea 2021-12-22 11:26:56
好书,值得反复阅读!虽然里面的例子有点过时(是不是因为作者是欧洲人的缘故,我竟得以看到他批评大橘猫的《西伯利亚来信》和提及我家意大利混蛋的《皮》的电影版的音效),但真的学到了很多东西(还有一大堆……极为抽象的专业术语)!!!(借于学校书店)
0 有用 Algiersea 2021-12-22 11:26:56
好书,值得反复阅读!虽然里面的例子有点过时(是不是因为作者是欧洲人的缘故,我竟得以看到他批评大橘猫的《西伯利亚来信》和提及我家意大利混蛋的《皮》的电影版的音效),但真的学到了很多东西(还有一大堆……极为抽象的专业术语)!!!(借于学校书店)