Introduction by and Notes by R.T. Jones, Honorary Fellow of the University of York This novel, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom tur...
Introduction by and Notes by R.T. Jones, Honorary Fellow of the University of York This novel, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.
Every one of those keen moments has left its trace and lives in us still, but such traces have blended themselves irrecoverably with the firmer texture of youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there anyone who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt when——when it was so long from one Midsummer to another? What he felt when his schoolfellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't k... (查看原文)
Oh, Aristotle, if you had had the advantage of being "the freshest modern" instead of the greatest ancient, would you not have mingled your praise of metaphorical speech as a sign of high intelligence with a lamentation that intelligence so rarely shows itself in sppech without metaphor that we can so seldom declare what a thing is except by saying it is something else? (查看原文)
大一的时候写的论文,今天随手翻到就扔上来了。 FEMININE is more often than not used as a negative adjective to describe the fragile feature of women. Even Shakespeare expressed such view through the mouth of Hamlet, ‘fragile, your name is woman.’ Yet is fra...
(展开)
Sometimes I feel learning is a kind of enjoyment allowing me to drift into that somewhere quite near to my truest self, while now and then I feel quite suffocated and isolated from the real world. When I read a novel, I may feel the same pain from which the...
(展开)
George Eliot (May Ann Evans), one of the finest novelists in the Victorian period, denouncing “the silly novels by lady novelists”, has bestowed another well-crafted art piece on me, her near-autobiographical novel of The Mill On the Floss. We have a stro...
(展开)
In “The Mill On the Floss”, George Eliot vividly depicts Maggie's intelligent, enthusiastic, courageous and innocent personality, as well as her independent spirit and perseverance in upholding morality. This novel transcends the accusation of women's une...
(展开)
0 有用 live a little 2014-08-03 00:58:40
相比于她最著名的Middlemarch 我更喜欢这本
0 有用 Paradise 2012-06-12 22:13:17
比Middlemarch好读,但也整整花了两周才读完。丰富密集饱满的人物心理描写让人过瘾极了!结局虽然让人心痛,但也真的是最好的解脱了。
0 有用 Healer 2023-06-21 14:44:48 北京
To the eyes that have dwelt on the past, there is no thorough repair!
0 有用 - 2018-08-25 10:47:14
George Eliot对自己写作主题的高度自觉使整部小说超越“家长里短”式的叙述。最喜欢童年时期的描绘。也对作为乐迷的Eliot有了很多兴趣。儿时、青年和结尾三部分之间不够连贯(Henry James曾提出对结尾的不满,认为整部小说没有为结尾做充足的铺垫,解决矛盾的方式过于随意了)。
0 有用 Serenity 2017-09-08 16:19:51
好久不看这种小说 绝对是当时的肥皂剧啊 特别是和仇家子弟坠入爱河这种桥段好狗血… 讲Tom学拉丁确实有意思 后面还强调他工作后发现学的东西完全没用… 讲Thomas a Kempis那段不知道Evans有没有自己的感情。结束得有点太突然而刻意 虽然有伏笔。