Timely reissue of the classic radical history of race and modernity
In this groundbreaking work, Paul Gilroy proposes that the modern black experience can not be defined solely as African, American, Carribean or British alone, but can only be understand as a Black Atlantic culture that transcends ethnicity or nationality. This culture is thorough modern and, often, overlooked b...
Timely reissue of the classic radical history of race and modernity
In this groundbreaking work, Paul Gilroy proposes that the modern black experience can not be defined solely as African, American, Carribean or British alone, but can only be understand as a Black Atlantic culture that transcends ethnicity or nationality. This culture is thorough modern and, often, overlooked but can deeply enriches our understanding of what it means to be modern.
This condition comes out of historical transoceanic experience, established first with the slave trade but later seen in the development of a transatlantic culture. And Gilroy takes us on a tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the ‘double consciousness’ of W. E. B. Du Bois to the ‘double vision’ of Richard Wright to the compelling voice of Toni Morrison. As a consequence, Black Atlantic charts the formation of a nationalism, if not a nation, within this shared, disasporic culture.
保罗·吉尔罗伊（Paul Gilroy）是英国著名的文化研究学者，伯明翰学派的代表人物，斯图亚特·霍尔的得意门生。他对种族和种族主义、黑人文化、非洲流散等问题的研究重塑了多个研究领域。1993年他的《黑色大西洋：现代性与双重意识》（The Black Atlantic: Modernity and Double...
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卧听南窗雨
上海书店出版社2022版
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上海书店出版社2022版
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也人
还没人写过短评呢
还没人写过短评呢