作者:
Walter Benjamin 出版社: Verso 副标题: A Lyric Poet in the Era of High Capitalism (The Verso Classics Series) 译者:
Harry Zohn 出版年: 1997-01 定价: USD 10.00 装帧: Paperback ISBN: 9781859841921
Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history. Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet ...
Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history. Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.
Walter Benjamin (1892–1940) was a German-Jewish Marxist literary critic, essayist, translator and philosopher. He was associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama. In 1940, he was in Spain, fleeing the Nazis and en route to the United States, when Franco's government cancel...
Walter Benjamin (1892–1940) was a German-Jewish Marxist literary critic, essayist, translator and philosopher. He was associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama. In 1940, he was in Spain, fleeing the Nazis and en route to the United States, when Franco's government cancelled his visa. Expecting repatriation, he took his own life.
the disintegration of aura in the experience of shock。两年后再读英译，豁然开朗，思路和材料其实并不混乱，只是当年自己学识浅薄。Hugo/Baudelaire的crowd、Poe/Baudelaire的stroller都足够迷人，work-gambling有趣。拱廊街的outline篇篇引人遐思。本雅明果然还是要一遍遍重读。
urban crowd, love at last sight, the centrality of visuality in urban life, the reconfiguration of space and the birth of private citizen and domestic interior
the disintegration of aura in the experience of shock。两年后再读英译，豁然开朗，思路和材料其实并不混乱，只是当年自己学识浅薄。Hugo/Baudelaire的crowd、Poe/Baudelaire的stroller都足够迷人，work-gambling有趣。拱廊街的outline篇篇引人遐思。本雅明果然还是要一遍遍重读。
urban crowd, love at last sight, the centrality of visuality in urban life, the reconfiguration of space and the birth of private citizen and domestic interior
这本由张旭东翻译的风靡整个80年代的小册子其实是本雅明遗著《拱廊街计划》中的一部分。昨天一口气读下来，常常地惊出一身汗。这惊不是害怕，而是窥到秘密处的紧张和激动。 本雅明说波德莱尔的现代之爱不是“一见钟情”（love at the first sight），而是“毁灭之爱”（love a...
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瓦尔特·本雅明 作者
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5 有用 豆友87717104 2020-01-04 04:49:32
我感觉我差不多就是把这本书paraphrase了一遍。。不过paraphrase也挺好的，促进了我懂得它。我觉得本雅明通过论述波德莱尔想要回答的问题是，在资本主义的工作和生活方式之下，“经验”是否可能，以及是否可能由抒情诗来塑造和传达。他的答案应该是，波德莱尔式的对于自身深深嵌入资本主义的结构的觉察是唯一可能有意义的经验。不管是工作爱情还是游戏，在这个结构之下可能都失去了内核，以空无和徒劳为显著的... 我感觉我差不多就是把这本书paraphrase了一遍。。不过paraphrase也挺好的，促进了我懂得它。我觉得本雅明通过论述波德莱尔想要回答的问题是，在资本主义的工作和生活方式之下，“经验”是否可能，以及是否可能由抒情诗来塑造和传达。他的答案应该是，波德莱尔式的对于自身深深嵌入资本主义的结构的觉察是唯一可能有意义的经验。不管是工作爱情还是游戏，在这个结构之下可能都失去了内核，以空无和徒劳为显著的特征。很多试图回避或者美化这个结构，发明一些生存美学来替补“经验”的丧失的人，最后都走向了和法西斯合作。本雅明最喜欢波德莱尔的，大概就是后者作品中的由对资本主义体制的觉察所导致的种种张力以及“深刻的两重性”，这种意识说不定蕴涵着超越这个结构的一丝希望。 (展开)
0 有用 某分 2013-10-21 14:28:05
活到现在精读完的第一本英文著作。过程很棒。想要接下来的3年一直和本雅明纠缠下去。
0 有用 啥贝马斯 2019-10-23 03:51:35
太优美了
0 有用 fff勒内 2021-07-01 05:58:53
the disintegration of aura in the experience of shock。两年后再读英译，豁然开朗，思路和材料其实并不混乱，只是当年自己学识浅薄。Hugo/Baudelaire的crowd、Poe/Baudelaire的stroller都足够迷人，work-gambling有趣。拱廊街的outline篇篇引人遐思。本雅明果然还是要一遍遍重读。
0 有用 zhuxiaoxiao 2014-01-23 00:29:50
urban crowd, love at last sight, the centrality of visuality in urban life, the reconfiguration of space and the birth of private citizen and domestic interior
0 有用 fff勒内 2021-07-01 05:58:53
the disintegration of aura in the experience of shock。两年后再读英译，豁然开朗，思路和材料其实并不混乱，只是当年自己学识浅薄。Hugo/Baudelaire的crowd、Poe/Baudelaire的stroller都足够迷人，work-gambling有趣。拱廊街的outline篇篇引人遐思。本雅明果然还是要一遍遍重读。
5 有用 豆友87717104 2020-01-04 04:49:32
我感觉我差不多就是把这本书paraphrase了一遍。。不过paraphrase也挺好的，促进了我懂得它。我觉得本雅明通过论述波德莱尔想要回答的问题是，在资本主义的工作和生活方式之下，“经验”是否可能，以及是否可能由抒情诗来塑造和传达。他的答案应该是，波德莱尔式的对于自身深深嵌入资本主义的结构的觉察是唯一可能有意义的经验。不管是工作爱情还是游戏，在这个结构之下可能都失去了内核，以空无和徒劳为显著的... 我感觉我差不多就是把这本书paraphrase了一遍。。不过paraphrase也挺好的，促进了我懂得它。我觉得本雅明通过论述波德莱尔想要回答的问题是，在资本主义的工作和生活方式之下，“经验”是否可能，以及是否可能由抒情诗来塑造和传达。他的答案应该是，波德莱尔式的对于自身深深嵌入资本主义的结构的觉察是唯一可能有意义的经验。不管是工作爱情还是游戏，在这个结构之下可能都失去了内核，以空无和徒劳为显著的特征。很多试图回避或者美化这个结构，发明一些生存美学来替补“经验”的丧失的人，最后都走向了和法西斯合作。本雅明最喜欢波德莱尔的，大概就是后者作品中的由对资本主义体制的觉察所导致的种种张力以及“深刻的两重性”，这种意识说不定蕴涵着超越这个结构的一丝希望。 (展开)
0 有用 啥贝马斯 2019-10-23 03:51:35
太优美了
0 有用 zhuxiaoxiao 2014-01-23 00:29:50
urban crowd, love at last sight, the centrality of visuality in urban life, the reconfiguration of space and the birth of private citizen and domestic interior
0 有用 某分 2013-10-21 14:28:05
活到现在精读完的第一本英文著作。过程很棒。想要接下来的3年一直和本雅明纠缠下去。