出版社: University Of Minnesota Press
副标题: The Political Economy of Music
译者: Brian Massumi
出版年: 1985-6-30
页数: 196
定价: USD 19.50
装帧: Paperback
丛书: Theory and History of Literature
ISBN: 9780816612871
内容简介 · · · · · ·
Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:
[Attali] is the fir...
Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:
[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]
作者简介 · · · · · ·
Jacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
Brian Massumi has translated works by Gilles Deleuze, Michel de Certeau, and Jean-François Lyotard.
Fredric Jameson is professor of literature at Duke University.
Susan McClary is professor of musicology at the University of Ca...
Jacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
Brian Massumi has translated works by Gilles Deleuze, Michel de Certeau, and Jean-François Lyotard.
Fredric Jameson is professor of literature at Duke University.
Susan McClary is professor of musicology at the University of California, Los Angeles.
丛书信息
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论坛 · · · · · ·
在这本书的论坛里发言这本书的其他版本 · · · · · · ( 全部6 )
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上海人民出版社 (2000)8.4分 351人读过
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时报出版 (1995年01月14日)7.8分 59人读过
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Le Livre de Poche (1986)暂无评分 2人读过
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订阅关于Noise的评论:
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0 有用 Dear Lu 2013-09-12 03:37:47
只看了一部分,除了作者偶尔会不好好说话之外还是很精彩的,而且居然是80年代写的!Frederic Jameson作序。
0 有用 满月様 2018-03-19 12:35:16
Jameson已经说了Attali这本书最有意义的部分,是作为上层建筑/非物质性的音乐对于经济基础的生产性预言,对于经典马克思主义的翻转。当然Attali读起来十分舒服,Massumi这本翻译很简洁啊比他自己写的东西清楚多了wwww
0 有用 丁萌 2017-02-14 14:18:16
i mean the historical distinction of different musical zones is interesting but the arguments are hinged on analogies...
0 有用 poiuny 2016-02-24 10:29:57
prophetic. very strong dissertation...but...
0 有用 月刊哈ribo.__. 2023-10-30 05:18:01 加拿大
特别quotable