How to use design as a tool to create not only things but ideas, to speculate about possible futures.
Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how ...
How to use design as a tool to create not only things but ideas, to speculate about possible futures.
Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want).
Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
作者简介
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Anthony Dunne is Professor and Head of the Design Interactions Programme at the Royal College of Art. He is the author of Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design (MIT Press).
Fiona Raby is Professor of Industrial Design at the University of Applied Arts, Vienna, and Reader in Design Interactions at the Royal College of Art.
土贼同学看完Dunne and Raby的新书Speculative Everything后，一连写了好几篇读后感（他的文笔很好，推荐大家看http://www.tuzei8.com/）。在里面，他完完全全展示了一个感性的诗意的设计师的样子，对modernism和consumerism充满了厌倦，对梦想新的可能性充满了向往。这样...
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是，书里说得都对！we need more pluralism in design, not of style but of ideology and values. 我们是应该尝试不去顺应消费主义的洪流，我们是应该跳出来思考、用设计批判一些已经成为固有化的思想，我们是应该trigger观众的response（这里让我有一种，我们大家思维僵化完...
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colobigbow
去来无有
江苏凤凰美术出版社2017版
ux backpacker
Evens.L
江苏凤凰美术出版社2017版
3 有用 Evens.L 2018-04-21 07:55:35
一次次的定义解释让我终于明白了我喜欢的美感源于什么。吊轨的是，这种美感必须是远离市场考量的，因为市场是现实，它要表现的是非现实。但是我不认为里面介绍的种种办法不能应用于一般意义的设计。既然它能成功唤醒人的思考，能引起讨论，能吸引眼球，那为什么不可以是一件成功的商品呢？
1 有用 猜火车司机 2019-04-12 13:46:43
甚左
1 有用 糟糕酒后艺术家 2019-08-23 16:19:05
参照中文版来解决翻译的小瑕疵
9 有用 Ginko 2020-04-21 22:17:31
讀晚了！論文都交了！
0 有用 IfwIcabsamb 2022-07-16 21:26:47
快开学了来看第二遍 依然没什么大感触…
0 有用 Godverdomme 2024-05-03 20:16:47 法国
给学生看的
0 有用 猫猫 2023-12-26 08:12:17 多米尼加共和国
语言和物件都是想象的媒介，design能作problem solving也可以作speculation，感觉就是社科所说的worlding；下一步研究social dreaming
0 有用 Niuk_Lapatata 2023-12-12 08:25:59 意大利
嘴上說說的東西，也沒啥新穎的，讀這個主要是學習組織下語言，我嘴比較笨。目標是以後做概念和組員吵架難逢敵手。
0 有用 Mansunfan 2023-11-10 23:24:17 俄罗斯
像是读完了一本厚厚的展览馆作品说明书。策展人味道过重了。
0 有用 白爷爷 2023-06-26 23:51:10 意大利
有一些观点还是挺发人深省的，尤其是“设计”不是根据生活去想象一个世界，而是把你想象的世界变成现实。还有比如说，艺术，就是人们明知道这个东西没有实用价值，但还是像着了魔一样的要买它。 写作电影与思辨设计对于受众来说的不同要求。 还提到了兰斯莫斯居然！还有狗镇的场景设计等等等。