作者:
Elena Ferrante 出版社: Europa Editions 副标题: Neapolitan Novels, Book Three 译者:
Ann Goldstein 出版年: 2014-9-2 页数: 400 定价: USD 10.37 装帧: Paperback ISBN: 9781609452339
Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
In the third book in the Neapolitan quartet, Elena and Lil...
Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.
Those Who Leave and Those Who Stay的创作者
· · · · · ·
Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME's most ...
Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME's most influential people of the year and the New York Times has described her as "one of the great novelists of our time." Ferrante was born in Naples.
实在等不及中译本只好看英译本了。看前面百分之八十都有一种坐在公交车上被迫听旁边的老奶奶絮絮叨叨回忆她年轻的时候的故事的感觉，只是英译本比之前中译本语言表达更直接更情绪化。讲lina那段会联想到莱辛的金色笔记，革命青年的混乱生活，lina与Enzo的相处状态不太现实，Lina作为一个叛逆的自我形象有些理想化。冗长的婚姻生活的铺陈就是为了最后情感累积的爆发，最后几节才是高潮，Elena写出轨比写了一辈...实在等不及中译本只好看英译本了。看前面百分之八十都有一种坐在公交车上被迫听旁边的老奶奶絮絮叨叨回忆她年轻的时候的故事的感觉，只是英译本比之前中译本语言表达更直接更情绪化。讲lina那段会联想到莱辛的金色笔记，革命青年的混乱生活，lina与Enzo的相处状态不太现实，Lina作为一个叛逆的自我形象有些理想化。冗长的婚姻生活的铺陈就是为了最后情感累积的爆发，最后几节才是高潮，Elena写出轨比写了一辈子出轨的渡边淳一都要好，说明了一个简单而又朴素的道理，for man，to load pleasure with responsibility was an error.(展开)
I was moved by the energy and power of Lina as a female main character struggling in that feudal community. However, the plain language bored me, as if the author was trying so hard to make the story ...I was moved by the energy and power of Lina as a female main character struggling in that feudal community. However, the plain language bored me, as if the author was trying so hard to make the story dramatic and intriguing. Or maybe I'm just not interested in this kind of female power related story (展开)
The story becomes less gripping as the connection between those two brilliant women weakens and gets further diluted by the political and social turmoil.
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路米內
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20 有用 J. 2017-05-09 02:09:44
实在等不及中译本只好看英译本了。看前面百分之八十都有一种坐在公交车上被迫听旁边的老奶奶絮絮叨叨回忆她年轻的时候的故事的感觉，只是英译本比之前中译本语言表达更直接更情绪化。讲lina那段会联想到莱辛的金色笔记，革命青年的混乱生活，lina与Enzo的相处状态不太现实，Lina作为一个叛逆的自我形象有些理想化。冗长的婚姻生活的铺陈就是为了最后情感累积的爆发，最后几节才是高潮，Elena写出轨比写了一辈... 实在等不及中译本只好看英译本了。看前面百分之八十都有一种坐在公交车上被迫听旁边的老奶奶絮絮叨叨回忆她年轻的时候的故事的感觉，只是英译本比之前中译本语言表达更直接更情绪化。讲lina那段会联想到莱辛的金色笔记，革命青年的混乱生活，lina与Enzo的相处状态不太现实，Lina作为一个叛逆的自我形象有些理想化。冗长的婚姻生活的铺陈就是为了最后情感累积的爆发，最后几节才是高潮，Elena写出轨比写了一辈子出轨的渡边淳一都要好，说明了一个简单而又朴素的道理，for man，to load pleasure with responsibility was an error. (展开)
15 有用 La Bayadère 2017-02-28 13:38:14
政治就是穿衣吃饭过日子。两个女性的成长蜕变史是讨论Neo-Fascism, second wave feminism, Eurocommunism等宏大复杂议题的绝佳载体。Mind-blowingly good. P.S. Elena就在玩Lila玩剩下的。听Lila吵架，胜读十年书。
0 有用 amstel 2019-05-29 09:06:59
长得有些受不了，细节太多了，自我剖析太多了，看完感觉能量很低
2 有用 凹凸曼举手 2018-07-12 04:11:15
I was moved by the energy and power of Lina as a female main character struggling in that feudal community. However, the plain language bored me, as if the author was trying so hard to make the story ... I was moved by the energy and power of Lina as a female main character struggling in that feudal community. However, the plain language bored me, as if the author was trying so hard to make the story dramatic and intriguing. Or maybe I'm just not interested in this kind of female power related story (展开)
2 有用 阿枣 2018-09-11 06:00:50
The story becomes less gripping as the connection between those two brilliant women weakens and gets further diluted by the political and social turmoil.
0 有用 不会游泳的鱼 2024-05-15 14:26:02 湖南
很能理解为什么莱农会出轨尼诺 不止是因为她从小就爱他 也因为他就是很能理解并尊重别人 还因为尼诺就是渣男体质 吸引着众多的女性 当然他可能并不觉得自己渣… 莱农需要犯错 打破自己对尼诺的幻想才能把他放下 才能成长！莱农和莉拉就是两个完全不同的个体 莱农谨小慎微一步步走向别人眼中的成功却把自己困住 而莉拉亲手打破自己的生活 然后重建 勇敢到令人惊叹❗️而这里面的男人真正让人敬佩的只有恩佐 这个没读过... 很能理解为什么莱农会出轨尼诺 不止是因为她从小就爱他 也因为他就是很能理解并尊重别人 还因为尼诺就是渣男体质 吸引着众多的女性 当然他可能并不觉得自己渣… 莱农需要犯错 打破自己对尼诺的幻想才能把他放下 才能成长！莱农和莉拉就是两个完全不同的个体 莱农谨小慎微一步步走向别人眼中的成功却把自己困住 而莉拉亲手打破自己的生活 然后重建 勇敢到令人惊叹❗️而这里面的男人真正让人敬佩的只有恩佐 这个没读过什么书却极其聪明上进稳重踏实的人 米凯莱也是个妙人 他是真的看到了莉拉的才能 不知道他如果真的得到莉拉的话会不会真的珍惜 (展开)
0 有用 迷之女主角X 2024-05-14 17:15:08 北京
重新在“现在时”提及Lila未来的消失，我想是整本书笼罩在一种vague loss氛围的主要原因。随着两位主角踏上不同的人生道路，Lila渐渐淡出Lenu的生活，伤感但是希望Lenu找到不为了任何他人，完全属于自己的声音。但我不能接受取而代之的是Nino，Nino可以在她们的生命中占据这么大的篇幅。 稍微有点同情木讷的Pietro，就像第一部读到Antonio绝望地，如他发狂的母亲一般，将泥土塞进... 重新在“现在时”提及Lila未来的消失，我想是整本书笼罩在一种vague loss氛围的主要原因。随着两位主角踏上不同的人生道路，Lila渐渐淡出Lenu的生活，伤感但是希望Lenu找到不为了任何他人，完全属于自己的声音。但我不能接受取而代之的是Nino，Nino可以在她们的生命中占据这么大的篇幅。 稍微有点同情木讷的Pietro，就像第一部读到Antonio绝望地，如他发狂的母亲一般，将泥土塞进嘴巴。他们确实算一类人。Lenu想象Lila指使Pasquale打游击战那一段有点Bolaño vibe. (展开)
0 有用 東程 2024-05-08 22:27:57 上海
still fascinating.
0 有用 bagins 2024-04-30 10:10:43 上海
听
0 有用 贝奥敏 2024-04-18 05:21:18 加拿大
From one pit to another pit