p18 (The world of wrestling)
We are therefore dealing with a real Human Comedy, where the most socially-inspired nuances of passion (conceit, rightfulness, refined cruelty, a sense of `paying one's debts') always felicitously find the clearest sign which can receive them, express them and triumphantly carry them to the confines of the hall. It is obvious that at such a pitch, it no longer matters whether the passion is genuine or not. What the public wants is the image of passion, not passion itself. There is no more a problem of truth in wrestling than in the theatre. In both, what is expected is the intelligible representation of moral situations which are usually private. This emptying out of interiority to the benefit of its exterior signs, this exhaustion of the content by the f... (查看原文)
p10 Preface The following essays were written one each month for about two years, from 1954 to 1956, on topics suggested by current events. I was at the time trying to reflect regularly on some myths of French daily life. The media which prompted these refl...
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0 有用 bonbon 2010-08-08 14:38:35
港台室的阅读。第一篇写摔角士的简直把我看晕了。
0 有用 數到S 2008-07-18 09:14:18
羅蘭.巴特
1 有用 沈隱舟 2021-04-11 16:42:39
看之前以为是“真正的”神话学(至少是列维斯特劳斯那样的),结果是社会学研究。神话潜伏在任何意识形态中,金钱是神话,公权力也是神话,面对神话的驯化,应当时刻保持警惕。罗兰巴特是拥有天生反骨的思想者,总能另辟蹊径针砭时弊,好爱他(><)
1 有用 水夏 2019-05-15 15:36:58
用一本书教会人如何造神话,作为建筑理论读的,觉得更适合政客吧
0 有用 葭苇 2019-10-28 20:42:12
完全像机翻的。。。