梧桐对《简·爱》的笔记(2)

Fritz Eichenberg was one of the world's most sought-after illustrators of literary classics, including The Brothers Karamazov and Crime and Punishment, as well as works by Edgar Allan Poe, Dylan Thomas, the Brontë sisters, and others. Born in Cologne, Germany in 1901, he learned lithography, wood-engraving, and etching and by his early twenties had produced masterful illustrations for Gulliver's Travels and Till Eulenspiegel. He came to the United States in 1933 and over the next five decades produced an astonishing range of individual images and book illustrations. Throughout his life, he was preoccupied with the tragedy of war. He became a close friend and great supporter of Dorothy Day and The Catholic Worker and used his art to express his hope for more justice in the world.

https://fritzeichenbergprints.com/

他过滤了女主角爱情的些许甜味，留下简爱在修道院的阴郁生活和发现罗切斯特庄园可怕秘密后的灵魂崩溃。。。他擅长营造阴森、诡异、恐怖的气氛，而哥特艺术的主要元素蝙蝠、玫瑰、孤堡、乌鸦、十字架、鲜血、黑猫等恰与爱伦·坡作品《呼啸山庄、罪与罚等》相契合。。。《爱看书的插画》汪家明

1、P14：简爱禁闭红屋

2、P54：每个姑娘竭力咽下去可都马上放弃了努力

3、P80：打破石板而发罚站

4、P120：菲尔费克斯太太

5、P142：人和马都倒在地上

6、P184：法国子爵年轻恶少拥着歌剧演员

7、P224：“Bonjour, mesdames.”

8、P256：干瘪老太婆拿出一个短短的黑色烟斗

9、P302：简爱看望里德舅妈

10、P334：把他的脸颊贴在我的脸颊上，在我的耳旁用他那最深沉的声调补充说。。。

11、P372：她把蜡烛猛地伸到我面前，让我看着她把它吹熄

12、P408：所以我试试由情妇作伴

13、P440：姑娘，起来吧，走在我前面，进屋吧

14、P470：就在这天早上，乡村学校开学了

15、P526：我坐了下来；圣约翰站在我附近。他朝上面看看隘口，朝下看看山谷

16、P558：而我却看到了一堆焦黑的废墟

17、P566：他伸出右手（那截去手的左臂一直藏在他怀里）

感觉吴钧燮先生的文笔在忠实原文下较优美、更重要的是用词恰当----结合人物形象、环境等，例如：

吴钧燮：马车夫讲话用词：约摸、小把戏《==》简这样的教师以及半个主人则说：府上

祝庆英：用词不够讲究，还有点生硬/干巴巴的〈==〉宅子的原文是the family